Ania Catherine

  • LOOKBOOK
  • Work
    • Coddess Variations
    • Empty Hour
    • The Temple
    • trichotomy
    • The Big Now
    • Anthropocene
    • Soft Evidence
    • Imperium
    • I'll weight
    • Invisible Inc. "Same Way"
    • On View
    • Non-fiction
    • off is on
    • See me thru
    • Mirror Stages and One
    • Line Scanner
    • I'd rather be in a dark silence than
    • Hex
    • Inner-workings of Rho
    • Ella Vos "Mother"
    • Not Made of Stone
    • A life
    • 4th floor
    • A page intentionally left blank
    • Bop
    • Z Berg "All Out of Tears"
    • Adidas Deerupt
    • Ceremonials
    • Reclamation
    • Architecture in Motion
  • Press
  • Writing
  • About
  • Contact
  • LOOKBOOK
    • Coddess Variations
    • Empty Hour
    • The Temple
    • trichotomy
    • The Big Now
    • Anthropocene
    • Soft Evidence
    • Imperium
    • I'll weight
    • Invisible Inc. "Same Way"
    • On View
    • Non-fiction
    • off is on
    • See me thru
    • Mirror Stages and One
    • Line Scanner
    • I'd rather be in a dark silence than
    • Hex
    • Inner-workings of Rho
    • Ella Vos "Mother"
    • Not Made of Stone
    • A life
    • 4th floor
    • A page intentionally left blank
    • Bop
    • Z Berg "All Out of Tears"
    • Adidas Deerupt
    • Ceremonials
    • Reclamation
    • Architecture in Motion
  • Press
  • Writing
  • About
  • Contact

Make Running (Issue 6) - Above Comfort

Documenta Journal for Theate (Issue 42) - Choreographing Surveillance, Collecting Obfuscated Movement: On View and Human Unreadable by Operator

MSc Dissertation - Colonial Traces: Asylum and Recycled Rescue Narratives in Sexual Modernity